"An Act of Collective Imagination" Is Published!

While #DareToImagine is gearing up for what promises to be an amazing launch on October 10th, we’ve got even more news to share. The USDAC’s first major publication—An Act of Collective Imagination: The USDAC’s First Two Years of Action Research is now available for download from this link: http://usdac.us/report-on-first-two-years

An Act of Collective Imagination is the first publication to summarize the USDAC’s work to date along with the lessons we’ve learned about translating community members’ visions into powerful ideas and action.

In 2016, after multiple rounds of Imaginings and National Actions, the USDAC will launch its first official policy platform, a compendium of proposals for policies and initiatives that can significantly advance cultural democracy: pluralism, equity, and collaborative creativity in support of social justice and social inclusion.

This report was created to offer an inspiring glimpse of the possibilities to come. It portrays community-envisioned cultural policy that embodies the public interest in culture. We know this can take the place of special-interest cultural policy designed by and for the most powerful direct beneficiaries.

What if that glimpse turned into a steady gaze? We foresee a time in which cultural policymakers understand their task as listening deeply to the aspirations and concerns of the populace and responding with creativity to ensure full cultural citizenship for everyone in every community. 

An Act of Collective Imagination features six specific policy ideas to address the needs and aspirations people have shared at Imaginings and through National Actions:  

  • A Bureau Of Cultural Citizenship to support and enact full community belonging;
  • support for Rapid Artistic Response in times of crisis;
  • a Cultural Impact Study, analogous to environmental impact assessment;
  • a Bureau Of Teaching Artistry;
  • a universal Basic Income Grant; and
  • an EcoArts Fund. 

In addition to these and other ideas emerging from USDAC organizing, An Act of Collective Imagination offers responses to the perennial question: "and how will we pay for a deeper investment in culture and creativity?"

As we always say, everything created must first be imagined. So as a people-powered department, we’ve taken matters into our own hands, demonstrating how it might be done. The required culture shift may start small, with specific communities and organizations adopting the generative policy ideas offered here. But with the help of Citizen Artists like you, it can spread and come to fruition. Download the report, share your thoughts, and join us in making the impossible possible!

USDAC STATEMENT IN SUPPORT OF PRESERVING SACRED APACHE LANDS

This week, Representative Raul Grijalva (D-AZ) began circulating an online petition urging Congress to pass the bipartisan Save Oak Flat Act he introduced in June. Through a special deal folded into the last National Defense Authorization Act, Congress gave mining rights to Resolution Copper, one wing of a multinational corporation famous for human and natural rights violations. The Act calls upon Congress to protect San Carlos Apache Nation sites in eastern Arizona, preserving their traditional uses such as collecting acorns and medicinal herbs and enacting sacred rituals.

This has prompted us to repost the following USDAC Statement in Support of Preserving Sacred Apache Lands, first published in February of this year. We urge you to circulate it widely. 

Cultural rights are human rights. When they are threatened by public or private action, we are obliged to speak out.

In this, as in so many questions of culture, we are inspired by the words of indigenous peoples:

As Indigenous Peoples, our fundamental cultural belief systems and world views based on our sacred relationships to each other and Mother Earth have sustained our peoples through time. We recognize the contributions and participation of our traditional knowledge holders, indigenous women and youth.

Cultures are ways of being and living with nature, underpinning our values, moral and ethical choices and our actions. Indigenous peoples’ abiding survival is supported by our cultures, providing us with social, material, and spiritual strength….

We will reject and firmly oppose States policies and programs that negatively impact Indigenous Peoples’ lands and territories, ecosystems and livelihoods, or which permit corporations or any other third parties to do so.[i]

And by Article 11, part 1 of the United Nations Declaration on the Rights of Indigenous Peoples, adopted in 2007:

Indigenous peoples have the right to practise and revitalize their cultural traditions and customs. This includes the right to maintain, protect and develop the past, present and future manifestations of their cultures, such as archaeological and historical sites, artefacts, designs, ceremonies, technologies and visual and performing arts and literature.[ii]

Today, we stand with many allies in support ofthe San Carlos Apache tribe in Arizona, which is defending sacred lands against the imposition of a copper mine that would destroy them, considered an act of cultural genocide. These lands are threatened because in December 2014,  a land-swap rider was attached to federal legislation passed the “National Defense and Authorization Act”[iii] funding the Defense Department. The “Southeast Arizona Land Exchange and Conservation Act” gives 2,400 acres sacred to the Apache people to Resolution Copper Mining, a joint venture of two multinational multi-billion dollar mining corporations created expressly to develop this underground copper mine. Resolution Copper has plans for a deep mine intended to extract copper ore 7,000 feet below ground level. Excavating and extracting so deeply is likely to turn this sacred land into a “cave zone” as the surface collapses over time.

Protests throughout Arizona, including representatives from the USDAC’s Tucson Field Office, alerted us to this legislatively sanctioned threat to cultural rights. Resolution Copper claims the mine will create job and tax revenue. But the issue is much greater than dollars and centers. In the words of Tribal Chair Terry Rambler, “This issue is among the many challenges the Apache people face in trying to protect their way of life. At the heart of it is freedom of religion, the ability to pray within an environment created for the Apache. Not a manmade church, but like our ancestors have believed since time immemorial, praying in an environment that our creator god gave us. At the heart of this is where Apaches go to pray—and the best way for that to continue to happen is to keep this place from becoming private land.”

Policies exist that mandate and enable the preservation of sacred tribal sites, and they should be applied to this situation, putting an end of mining on sacred lands. The National Historic Preservation Act contains provisions whereby “properties of traditional religious and cultural importance” may be listed on the National Register of Historic Places, and indeed, provides funding for tribes undertaking this work of cultural preservation.

In 2009 testimony before the 8th Session of the UN Permanent Forum on Indigenous Issues, Michael Paul Hill of the San Carlos Apache Tribe asked for “The federal government to proceed with a full administrative review through an environmental impact statement so that we can more fully analyze the serious impacts that this proposed mine will have on our people. Existing cultural resource legislation has been ignored by the absence of government-to-government free, prior, informed consent consultation and the absence of responsible efforts to manage lands important to indigenous populations, not to mention the public at large. At that time we will be happy to discuss in detail these impacts and the ways they may or may not be mitigated. We would like to work with our local, state, national, and international governments in identifying long term to develop economic development strategies for all of us that are both consistent with traditional Apache values and scientifically informed, environmentally sustainable practices.

We support a halt to this land-swap and a careful, respectful government-to-government process that respects cultural rights, refusing to transgress them for private profits. We call on our fellow artists, cultural organizers, on elected officials and policy-makers, on all people of goodwill to stand in support of the movement to preserve sacred Apache lands, in the name of the first principle of cultural values establishing the USDAC:

Culture is a human right. As expressed in the 1948 United Nations Universal Declaration of Human Rights, “Everyone has the right to freely participate in the cultural life of the community.” It is our sacred duty to remove impediments to the exercise of this right and to ensure that the means to exercise this right are available to all. In a cultural democracy, we are obliged to monitor the impact of public and private actions with these duties in mind.  

Signed:

 

Arlene Goldbard, Chief Policy Wonk

Adam Horowitz, Chief Instigator

Dana Edell, Secretary of Creative Sparks, New York, NY

Jacklyn Gil, Sparkitect, Providence, RI

Hayden Gilbert, Cultural Agent, Cleveland, OH

Beth Grossman, Cultural Agent, Brisbane, CA

Lynden Harris, Cultural Agent, Cedar Grove, NC

Dave Loewenstein, Cultural Agent, Lawrence, KS

Liz Maxwell, Chief Dot Connector, New York, NY

Kara Roschi, Cultural Agent, Phoenix, AZ

Michael Schwartz, Cultural Agent, Tucson, AZ

Jess Solomon, Cultural Agent, Washington, DC

Duncan Wall, New York, NY

Amy Walsh, Cultural Agent, Providence, RI

Roseann Weiss, Cultural Agent, St. Louis, MO

Yolanda Wisher, Cultural Agent, Philadelphia, PA

_______________________________________________

 

 

[i] State of the Rio+20 International Conference of Indigenous Peoples on Self-Determination and Sustainable Development, 19 June, 2012, Rio De Janeiro

[ii] United Nations Declaration on the Rights of Indigenous Peoples” available athttp://www.un.org/esa/socdev/unpfii/documents/DRIPS_en.pdf

[iii] Passed December 2, 2014. Section 3003 covers the land-swap. Available athttp://armedservices.house.gov/index.cfm/files/serve?File_id=926D63B6-5E50-49FC-99EF-A59B98825265

Emmissary Spotlight: Getting Ready to #DareToImagine in DC and Milwaukee

Kimberly C. Gaines is a photographer, media educator, and the chief curator of her own firm, sondai expressions creative, in Washington, DC. Melanie Ariens is a Milwaukee-area mixed-media artist who uses creative work to communicate about issues surrounding the Great Lakes, serving as artist-in-residence for the Milwaukee Water Commons, “a cross-city network that fosters connection, collaboration and broad community leadership on behalf of our waters,” promoting “stewardship of, equitable access to and shared decision-making for our common waters.”

Both are Emissaries from the Future in the USDAC’s #DareToImagine National Action, taking place nationwide from 10-18 October. Read on to learn what Kimberly and Melanie are imagining, and join people across the U.S. in signing up now to be an Emissary.

Anyone can step up as an Emissary from the Future. We’ll send you a Toolkit that includes Imagination Station plans; PDFs for signs, badges, and creative exercises; how-tos for organizing and promoting local events; checklists; an easy way to upload events to a national map, and much more. USDAC trainers will provide online video workshops for Emissaries and one-to-one technical assistance as needed. 

Taken together, these two Emissaries hint at the many possible themes on which #DareToImagine can advance vision and activism. Kimberly blogs at sondai expressions. Below, we reprint her post describing a building in her community, the Strand Theater, an historic neighborhood landmark that has been closed for more than half a century. Kimberly will use #DaretoImagine to bring light to the history of the neighborhood. 

Today’s blog features photos that Melanie has been uploading to CTZN, a platform and app released by GOOD Worldwide Inc. to bring groups of changemakers together in a dedicated space where they organize and tap into technology’s potential to connect, inspire, and make a difference in local and global communities. The USDAC is partnering with CTZN to host an Emissary social media community: when Emissaries sign up, they join CTZN (fast and free), and everything tagged #DareToImagine they post to Facebook, Twitter, or Instagram feeds into one stream of images, texts, and video clips. When #DareToImagine is in full swing in October, you’ll be able to visit the website to see the stream of visions shared by the public. Right now, Emissaries are using CTZN to update each other on what they’re doing and to share inspiring posts. 

Melanie posted images of The Milwaukee Water Commons Water Cycle, noting that “our Imagination Station is already being put to good use!” Here’s the recipe:Materials: Rain barrel, recycled door, recycled crate, used dog trailer, recycled garden hose…

Melanie posted images of The Milwaukee Water Commons Water Cycle, noting that “our Imagination Station is already being put to good use!” Here’s the recipe:

Materials: Rain barrel, recycled door, recycled crate, used dog trailer, recycled garden hose, umbrella, downspout, plumbing hardware, and two wooden table tops plus lots of creative painting. 

Features: Origami paperfold pamphlets on the Great Lakes growing out of a little container of grass, a button maker to make Great Lakes Buttons, "ballots" to vote on different water initiatives for Milwaukee, they get filled out with flower pens and get dropped down the gutter into the rain barrel! The rain barrel is painted with the Great Lakes basin, a Milwaukee's Rivers map. It has a door on it for storage access, dog bowl for water for furry friends, and a squirt bottle for hot people.

And here’s Kimberly’s blog post:

So… I am all signed-up to be an Emissary from the Future with the U.S. Department of Art and Culture. Isn’t that title exciting? Kinda. Technically, it means I am putting myself on front street for the love of my community and social justice for all. As an artivist in the community I see so many connections to solutions through the arts.

Art is not just beautifying a neighborhood where blight resides. It is a movement… hell is it is movement. The sooner that is realized the sooner solutions are realized. Think about the possibilities. What does doing better look like?

The city of DC is currently renovating The Strand Theatre at the corner of Division and Nannie Helen Burroughs. The Strand was once a movie theatre and meeting spot for African American families East of the River in the Deanwood and surrounding communities. It has been sitting since it closed in 1959. That is 55 plus years that this historical landmark has looked quite less than stellar.

To go from dank to spankin' new and fresh not only revitalizes that building but it revitalizes those passersby. When you see dilapidated buildings, trash, broken fixtures and blight in your community it makes you feel unworthy and neglected just like those buildings. Living day in and day out like this creates a lack mentality. Art is the beginning of that solution. It helps you dream in possibilities.

Being an Emissary to the Future, I want to get the community to put on some imagination specs and get the ball rolling on progress. Stop waiting for officials to decide what they will do show them some action about WHAT YOU WANT DONE.

Stay tuned as the plans for the #DaretoImagine project comes together I will be giving updates and countdowns!